From juggling to material manipulation.
Juggling is the starting point for inventing and controlling floating objects.
This masterclass in unidentified floating objects (UFOs) will be an opportunity to understand the different types of falls braked by the multitude of possible structures, and to select the most interesting ones according to your floating desires.
This masterclass focuses on the various 3-ball juggling tricks, exploring all the aspects surrounding them. The main idea is to play with the concept of "from simplicity to complexity", using body throws and rhythm as tools to achieve this.
During this course, Sean proposes to look at choreographic approaches to juggling. You'll also learn about some of Gandini Juggling's repertoire, and discover different practical approaches to making objects. Sean will tailor the workshop to the needs of the participants, and the emphasis will be on having fun in the learning process.
This workshop will focus on the rhythmic choreography of juggling. We'll also be working on connecting juggled material to various written texts, and playing with how movement and words merge to create surprises, paradoxes or shifts in meaning. The mornings will be devoted to rhythmic and physical juggling, and in the afternoons we'll be writing juggling to text and exploring the possible links between the two.
In this masterclass, we'll cover 1-stick balancing and many aspects of fishtail balancing: horizontal fishtails, vertical fishtails, double balances / double fishtails, throws, fishtails 0, points of balance and imbalance, as well as a complete understanding of the entire fishtail movement system. One part will be devoted to the "balance challenge", open to all accessories, during which we'll look for ways to challenge our established balances.
Liza van Brakel has developed a personal juggling style coming from a non-juggling background. She started out as an acrobatic dancer before becoming a juggler. She took juggling as a manipulation of objects and combined it with the movements discovered in acro-dance. She first played with one object for a long time before moving on to two or three. She has created a unique style based on movement and physicality.
The workshop will propose to share and experiment together tools for composing a juggling in motion, inspired in particular by the notion of "stop-motion".
Among other things, we will deal with blocking, multiplexes, space, the notions of fluidity and concordance, in order to develop a vocabulary and juggled sentences.
Simplicity as a driving force for originality.
Alexis Rouvre is a ball juggler, influenced by the practices of his contemporaries, he learned in particular from Stefan Sing and Jérôme Thomas. Since 2008, he has been developing a personal work around the manipulation of ropes. Object manipulation in connection with a full and precise bodily involvement is a line of work/research that he has been exploring ever since.
Antipodism is a juggling practice where traditionally the juggler uses a bench (trinka) to manipulate objects with his feet. From 2001, Emilia Tau developed a technique of antipodism with juggling balls and contributed to the renewal of this art, using an object hitherto little used in antipodism. She was thus able to invest the space without the trinka and used the siteswap and other methods specific to juggling for the creation of patterns in solo and in duo. Means that gave him more freedom in composition and expression. At the same time, she has developed a pedagogy specific to this technique.
Hisashi Watanabe is a Japanese juggler who plays in Yokaï by Cie Defracto. He practices extremely atypical juggling by mixing the body in an intense way. The course can also be open to tightrope walkers or contortionists. Rarely present in France, we take advantage of its presence in Europe as part of Yokaï, to organize this masterclass.
This masterclass is a research and study space for jugglers based on the principles of Copyleft, group juggled improvisation.
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