The Sphere

The spirit of the open-source movement:

In the spirit of the open-source movement, the platform will allow every agent of the performing arts ecosystem to participate directly in the development of new organizational, aesthetic and economic forms.

So: both a new economic model and an integrated digital ecosystem for artistic production

Four interconnected operating layers

The Sphere’s digital infrastructure is made up of four interconnected operating layers.

1st layer: Anarchive:

A directory of traces:

The anarchive is defined as a repertoire of traces of collaborative research-creation events.

The idea is that Traces are not inert, but carry potential.

They can be reactivated, and their reactivation makes it possible to trigger a new event which continues the creative process from which they came, but in a new iteration.

Thus, the anarchive is not the documentation of past activity.

Rather, it is a feedback mechanism (amplifying loop) within the creative process.

The archive waypoint for the anarchive:

The anarchive needs documentation – the archive – from where it starts and through which it passes.

It is a surplus energy of the archive: a kind of supplement or added value of the archive.

Its complementary and excessive nature means that it is never contained in a particular archive or in a piece of documentation contained in an archive.

It is never contained in an object.

The anarchive is made up of the formative movements that enter and leave the archive, for which the objects contained in the archive serve as a springboard.

The anarchive as such is made up of formative tendencies, of compositional forces in search of a new form.

Archives are their points of passage.

The anarchive is by nature a cross-platform phenomenon.

It is activated in the relays: between the media, between verbal and material expressions, and above all between all the forms of archives that it can take.

The anarchive is linked to the event: a kind of derivative of the event, or surplus value of the event.

3rd layer: Contributory accounting system:

The design of the contributory accounting system is based on the extensive research conducted by the P2P Foundation and its partners on this issue.

Strong visualization tools are a key element in enabling stakeholders to see their contribution as part of a larger collaborative ecosystem.

4th layer: Crypto-economic model:

The design of a native blockchain-based economic infrastructure represents the final layer of The Sphere ecosystem.

It acts as an economic interface for agents operating inside and outside its ecosystem.

It allows innovative ways of fundraising

It also includes an integrated and automated mechanism for the redistribution of wealth and allows each participant, whether artists or the public, to become part of a given project and/or La Sphère as a whole.

Main objectives and political positioning

The main objective of The Sphere is to enable a step change in the way we think about and manage creative processes and intellectual property in the performing arts and beyond, that is, the way we (an ) archive, express and organize around artistic proposals and ideas.

From experience, we know that blockchain pioneers are happy to collaborate with ethical and artistic partners from non-market-oriented sectors.

Futurists warn of the dangers of leaving new technological advancements (web 3.0) entirely in the hands of technologists and business entrepreneurs.

Through The Sphere, circus artists will collaborate with technologists, presenters, audiences and a diverse range of stakeholders to build a resilient innovative community.